Title: Music for Cold Places Michael Dover (Israfel) This is an expressionistic piece for string orchestra, flute, harp, 2 vibraphones and percussion I'm a refugee from college composition courses so to speak- what I mean is that I've spent the past two years writing atonal music before I finally realized that I wanted to do something else. But still, I like to include elements of contemporary composition in my work...so you've been warned. ^_~ Winter to me is a quiet time. There's a sort of still, fragile feeling to the season. However, it also marks the end of another year- and that combined with the quiet atmosphere invariably leads one to reflect on his life. And as one thinks back he may feel anxiety and regret. These contrasting ideas of quiet contemplation and bittersweet memories are what this piece is about. I used open harmonies (mostly quintal) and polyrhythms (creating a almost windchime-type sound) in order to capture a sort of wispy feeling that one might associate with winter. But those regrettful thoughts take over- the rhythms become more complex, the harmonies more dense. But gradually those memories fade away, and all you're left with is the stillness of winter. One last note- the midi is in no way meant to be read as sheet music. For example, there are 3 vibraphone staves but I was writing this for 2 vibraphones. This is because of difficulties with my sequencer when notating polyrhythms. So what I'm saying is that the layout of the midi was strictly for my convenience while writing the piece and should not be considered the "sheet music." Thanks, Michael